This life is disrupted, however, when Nicky Parsons (Julia Stiles) comes back into his world, having hacked into the CIA and discovered something new and important about the Treadstone program: it was actually created by Jason Bourne's father (bum bum BUM!). Much like the audience watching the story unfold, Bourne is thrown for a complete loop and is totally confused after this revelation, and once again finds himself propelled into an adventure - and the CIA once again on his tail. This time around, the antagonists at the government organization are represented in Heather Lee (Alicia Vikander), the agency's new cyber expert an unnamed Asset (Vincent Cassel) with a personal score to settle with Bourne, and Director Robert Dewey (Tommy Lee Jones), who wants the rogue agent captured at all costs. This urgency is particularly forced because the CIA is about to embark on a new program called Iron Hand involving the participation of Aaron Kalloor (Riz Ahmed), a tech genius about to launch a new social media platform called Deep Dream.Ĭontinuing that theme is also the movie's big action moments, which are fun, but also surprisingly few and far between. Paul Greengrass certainly does set up a couple of big blockbuster beats, including a car-smashing trip through Las Vegas and some Bourne vs.
Asset battle in Athens, and they are outfitted with the director's intense, albeit divisive, shaky cam style.
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Once again, however, the movie just doesn't live up to the standards that the previous installments established, not reaching the edge-of-your-seat level of crazy accomplished by the Russian showdown in Bourne Supremacy or the New York chase in Bourne Ultimatum. It's particularly in this category that the film falls victim to expectation, but all evidence did point us towards the idea of Jason Bourne delivering something better than we get.Įven as someone who sees the merits in Tony Gilroy's semi-spin-off The Bourne Legacy, I was excited when the news came that Paul Greengrass and Matt Damon would be returning to the franchise.
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Their collaboration on the second and third Bourne movies really defined the aesthetic and tone of the series - and they're both talented enough that I will always be interested in all of the work they do.
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